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INDOFILM is a site to watch 21 online cinema movies

The goal for choosing the best stretch film is to find one that fits your company’s specific need without paying for unneeded properties. For example, loads that will spend most of their days in a warehouse or shipping container, don’t need film with UV light protection. On the other hand, loads with lightweight film that don’t fit snugly to the pallet corners are subject to punctured film and shifting loads. But if you’ve never used stretch film before or aren’t happy with the film you’re using, how do you know which one is right? Following are 6 considerations for choosing the best stretch film for the job.

Primary Cost Comparisons: Price/lb. vs. Price/ft. vs. Price/load

When talking to a stretch film salesperson, trying to figure out how their product compares to the product the consumer is currently using can be confusing. All film is sold by the pound. Traditional films that typically have higher gauges are actually less expensive per pound because they use less expensive plastic resins to make the film. The high performance films are more expensive because they are manufactured with better quality resins and can be layered. This is a more expensive manufacturing process. The high performance films generally end up costing less overall because the film’s light weight offsets the more expensive price per pound

However, what really matters to the consumer is how much the film costs per foot. nonton film bioskop 21 online Even more important than the cost per foot is the cost per load wrapped. The argument for the newer high performance films is that even though they are expensive to make (cost more per pound) they are much lighter in gauge and therefore lighter in weight. For example, high performance film designed to replace an 80-gauge traditional film might be 20% more expensive to make, but it might require 50% less film to hold the load because it works just as well as the material that is 50% thicker. The end result in this example is that the user saves 30% on film costs by switching to the thinner high-performance film.

To precisely analyze price savings, wrap two loads. Then cut the film off of both loads and weigh it on a small sensitive scale. This will indicate the amount of film used for each load. Then multiply the weight of the film by the price per pound (ask your sales person for the weight of the roll or the weight of the case if it is not clearly marked) and divide by the roll or case price. This will yield the price per load. Multiply the price per load by the number of loads typical for each day, each week and so on.

Because there are so many variables with film, users must be very cautious to understand and confirm the math themselves and not to rely on the salesperson’s math. Part of the process should always be to adequately sample the new material before accepting any change. The bottom line is that the new material must contain the load as safely and effectively as the old material. Following are four additional considerations for choosing stretch film.

  1. Standard or High Performance

This is by far the most important decision. Much of the decision will be based on price, but it needs to be tempered by the requirements of the job. Not that long ago, before the advent of highly innovative stretch films, gauge (thickness) was just about the only thing that mattered. Now it is just one of many considerations.

Standard/true-gauged stretch film offers a great amount of stretch, tear resistance, and strength. The main drawback is waste, because it’s not possible for the average worker to apply enough force to reach the maximum stretch potential of the film.

Economy/micron stretch film is a step down from true-gauged stretch film and often comes in a 57, 60, or 63 gauge. The main difference is the thickness and the amount of stretch potential. It is often stiffer and will not stretch as much as a true-gauged film. On the other hand, it is strong, more affordable, and can produce less waste.

Hybrid/multilayer stretch film is commonly used in place of lighter gauge film. It is manufactured in 47, 51, and 53 gauges. It has more layers, is stiffer and has less tear resistance than micron stretch film. Benefits include: lower cost, lighter rolls, and the need for less physical force during application.

The latest and greatest lighter-gauged (less expensive) high performance films are ideal for light to moderate, regular-shaped loads that won’t encounter challenging transit or storage conditions. High performance stretch film offers excellent load retention, highly elastic film recovery, high-strength formulation and reduced film neck-down. In the high performance category, even light film gauges have elevated tear and puncture resistance, and excellent cling properties.

But where any or a combination of those conditions are present, heavier (more expensive) traditional films will be the better option and will save money in the long run (less risk of worker injury and damage to loads). Traditional films are considered foolproof and often result in fewer complaints from the warehouse. The precision with which they are applied is not as critical because the weight of the film may help offset a poor application by the worker.

Carefully consider the type of load and even the skill level of warehouse staff. Generally speaking, in a well-controlled environment with nicely cubed loads, the less expensive high-performance films will save money.

  1. Hand Film or Machine Film

Hand-held dispensers can be as inexpensive as a few dollars while fully-automatic wrappers run well into the 1,000s of dollars. The general rule is that if the consumer is wrapping 15 or more loads per day, it’s more cost-effective to use a machine than to wrap by hand. At that level machines justify their costs by reducing manual labor expense and the possibility of injuries. In addition to the productivity and liability issues, most machines pull the stretch wrap at least 200% before applying it to the load. This results in legitimate savings of up to 50% of film costs. A company that historically used a full pallet of hand film each month might reduce their usage to 6 pallets per year. This savings on film can pay for the equipment very quickly. Also, a machine-wrapped load is generally more secure than a hand-wrapped load. When stretch film is applied by machine:

• Production rates increase

• Labor costs decrease

• Injuries decrease

• Wrapping is consistent

• There is better quality control

• Considerably less film is used because film is stretched properly

So for companies that handle 15 or more loads per day, a stretch wrap machine will more than pay for itself. Following is a summary of hand and machine options.

Manual/Hand Wrappers

• Extended Core: An extension of the film’s core creates a natural handle for wrapping. It’s an especially economical option since it doesn’t require any equipment. The downside is that it provides little control over stretch and is hard on workers’ hands.

• Mechanical Brake/Pole Wrapper: A rigid structure supports the film core while a mechanical brake system provides the resistance needed to stretch the film. A pole wrapper is similar, except that the roll sits at the end of an extended pole. This reduces the need for workers to bend and reach during application.

Semi-Automatic Wrappers

• Turntable Wrappers: The load rests on a turntable that spins the load. The film roll automatically moves up and down as it applies the wrap. Stretch is controlled by the speed of the load’s rotation and/or the attached pre-stretch feature.

• Orbital Wrappers: The film rests in a carriage housed on a vertical ring. The load feeds horizontally (or vertically in the case of a horizontal ring system) through the center of the rotating ring as the film is applied.

• Rotary Arm Wrappers: The load remains stationary as a rotating arm revolves around it, wrapping the load. These types of wrappers are best for lightweight loads or those requiring high rotation speeds which could otherwise cause the load to destabilize.

Automatic Wrappers

Automatic wrappers are similar to semi-automatic wrappers except that they include a conveyor system for automatic loading. The equipment also applies, seals, and cuts the film.

  1. Blown Film or Cast Film

There are two basic methods of manufacturing stretch film—blown and cast. The manufacturing process determines the film properties.

Blown film is manufactured using the blown film extrusion process. The resin is melted, blown out in a giant bubble and air-cooled. This is a slower (more costly) process but results in higher quality. Characteristics are: superior strength, stretch, film memory, and puncture resistance; but poor clarity and very noisy during unwind. It has the superior strength to accommodate irregular loads.

Cast film is manufactured using the cast extrusion process. Instead of being air-cooled, the film is passed over cooling rollers. This makes the cooling process quicker and the product less expensive, but also inferior to blown in important regards, including strength and stretch. Typical characteristics of cast stretch films are: clarity, high gloss, quiet unwind, consistent cling and consistent film thickness. Following is a summary of differences between blown and cast stretch film:

• Strength: Blown is slightly stronger than cast and less likely to tear on a sharp edge.

• Film Yield: Blown films often top out at 200% stretch capacity because the manufacturing process is less controlled and precise. Some of the newer high performance cast films can be stretched to 300%.

• Film Memory: Blown has better film memory (shrinks back to its original size better after it has been stretched). Cast has less memory (this causes loads to shift).

• Load Retention: Blown holds better and won’t stretch after it has been applied. While cast retains loads well, it will stretch after it has been applied to the pallet (this also causes load shifting).

• Puncture Resistance: Blown resists puncturing much better than cast, which will generally tear when over-stressed. Blown is more forgiving around sharp edges.

• Visual Clarity: Blown is not crystal clear. This can make reading and scanning harder, but it helps reduce distracting glare. Cast is clear; making reading and scanning under typical warehouse lighting easy.

• Rewind Noise: Blown tends to be very loud when it’s unwound from the roll. Cast makes almost no noise.

• Film Cling: Blown has one-sided cling-this creates higher load retention. Cast has a natural cling on both sides. This can make pallets stick together. However, cast film can be manufactured with one-sided cling.

Because of inferior strength and film memory, cast is best for lighter loads with standard shapes. It also tends to be less expensive than blown-which makes it a good choice for less demanding high production applications.

  1. Standard or Pre-Stretched

Pre-stretched film is stretched close to its ultimate breakpoint at the factory and then wound onto rolls. This means the film doesn’t require nearly as much physical energy to apply as standard stretch film. This is the main reason that pre-stretched films are popular for hand wrapping. In fact, pre-stretched film applied by hand can create the same load stability as machine applications. The rolls are also light and easy to handle and can be applied with a walk-forward wrapping technique, which helps prevent slip and fall incidents. Basically, users get the same (or better) load stability with less product, less physical energy, and greater control.

While pre-stretched film is more expensive per foot than traditional film, it requires about half the amount of film, which can create a net cost savings (the film is much lighter and therefore less expensive per pound). Another plus is that pre-stretched film will naturally tighten after application. This unique film memory and its tendency to tighten after application are the most important reasons for pre-stretching film.

Jobs that make the most sense for pre-stretched film are those that require hand application-especially where workers don’t have the strength to handle or tighten traditional film and/or where workers are handling irregularly shaped loads. Pre-stretched film should be used for loads no heavier than 1,200 pounds, since it is usually stretched too thin to hold a heavier load. It can be applied either by hand or with automatic machinery. Companies that position themselves as green can make a good case for using pre-stretched film since it requires less product.

Specialty Wrap

In addition to the 4 considerations mentioned above, there are specialty qualities that are very beneficial for some applications:

• Ventilated: Common applications include anything that needs heat and moisture to vent in order to avoid spoilage, such as produce and other food products.

• Colored/Printed: Using stretch film in a variety of colors or that is printed, makes it easier to identify products and spot tampering. It’s also great for product coding and dating.

• Bundling Film: This comes in 2″, 3″, and 5″ widths and replaces tape and string. It has the advantage of not leaving sticky residue or string marks. It’s best for packaging small items together.

• VCI: Vapor-corrosion-inhibiting stretch film blocks moisture and contaminants, thus preventing rust and corrosion. It’s excellent for products that come into contact with water and other rust/corrosion promoting substances-including rain and salt water vapor typical near seaside docks.

• UVI: Users that store loaded pallets outside for any length of time will need an ultraviolet inhibiting film. However, UVI films vary in how long they will provide protection before the UV properties begin to diminish (usually 3-12 months).

By now you should be fairly certain as to what you need, but probably need a little confirmation. Where can you go for unbiased advice? Look for an industrial packaging supplier that’s been in the business for many years and has a stake in your satisfaction. A good packaging supplier will want to establish a long-term relationship based on trust, not a quick sale. So call us now for expert advice that will lead to immediate and long-term cost savings.

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Valium, Diastat

Do not miss doses even if you really feel that you do not require them. Diazepam comes as a tablet, a solution, buy ambien online and as a concentrate to take by mouth. It is normally taken 1 to 4 times a day as well as may be taken with or without food. Comply with the directions on your prescription tag very carefully, and ask your doctor or pharmacologist to clarify any type of part you do not recognize.

  • The elderly metabolise benzodiazepines far more slowly than younger grownups, as well as are likewise a lot more conscious the impacts of benzodiazepines, even at similar blood plasma levels.
  • Dosages of diazepam are suggested to be about half of those given to younger people, and also treatment restricted to an optimum of 2 weeks.
  • Long-acting benzodiazepines such as diazepam are not suggested for the elderly.
  • The smallest possible reliable dosage must be made use of for this group of individuals.

Search For Another Drug

This is not a total checklist of side effects as well as others may occur. Overdose signs might include severe drowsiness, vertigo or control, limp or weak muscles, or fainting.

You should bring this checklist with you each time you go to a physician or if you are confessed to a hospital. It is also important information to bring with you in situation of emergencies. Call your physician if you have any kind of unusual issues while taking this medication. inform your physician if you have myasthenia gravis, rest apnea, or lung or liver disease.

diazepam

Valium has numerous medicine interactions of which to be mindful. If you are prescribed this medication, make sure you talk about possible communications with your medical professional and/or pharmacist. Diazepam is well-absorbed in the intestinal tract. It has a bioavailability of 93% with a quantity of circulation 0.8 to 1.0 L/kg. The active metabolite of this drug is desmethyldiazepam. It has a half-life of regarding 43 hours and varieties from 40 to 100 hours. Any kind of inquiries or issues you may have about your prescription should be addressed with your medical professional or pharmacist.

Understanding Valium Dependency.

Resistance may establish with lasting or extreme usage, making the medication less efficient. This medication must be taken on a regular basis to be efficient.

Valium can be passed on to a child during pregnancy or while breastfeeding. Go over the possible threats of taking Valium while expectant or nursing with your physician. These symptoms can be serious and even possibly life-threatening. Seek prompt medical care if you reveal indicators of an allergy.

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Alternatives Sites of Rainierland for 2020

For years, movie lovers have been able to rent their favorite films and enjoy them in the comfort of their own homes. A number of major rental stores along with countless independently owned mom and pop stores have helped to make renting and watching movies a favorite pastime for many. This is a cost-effective and simple solution for those who prefer not to spend the time or money it takes to go to movie theaters.

The outstanding thing about renting movies is that a film can be watched over and over until the rental time is up. This is a preferred option for individuals who would rather spend one small price to watch a movie as many times as they want versus spending significantly more to watch it in the theater only once. Advances in technology have brought about several easy ways to rent movies.

One method of renting movies is to have them streamed to a television, cell phone, or computer device. This way of watching rental movies requires a wireless internet connection. Streaming movies to an electronic device means that individuals don’t have to deal with the hassle of keeping track of and returning movies on time. Movie-streaming services usually require users to pay a flat monthly fee in order to gain access to a library of films they can watch as often as they like. Several major movie-rental companies and countless other newer companies now offer this method to their customers. Many cell phone companies have jumped on the bandwagon and also offer movie-streaming services as well. This way of renting movies is attractive because it allows for streaming on portable devices that have wireless connections. Users can watch movies on their laptops and other portable devices wherever there is a wireless connection such as in coffee shops, bookstores or public libraries.

In recent years $1 movie-rental kiosks have made their way into grocery stores, outside convenience stores and in various other locations. The concept for most of these movie-dispensing machines is that you can rent a film at the cost of only $1 per day. In order to use this method, users enter their credit card information into the machine and select from a menu of films that are available from that particular kiosk. If the movie is returned after the first day individuals are only charged $1 per film. If it is returned later, then the credit card will be charged according to how many days it was out. Some prefer this straightforward method of renting because there is no contract required. Renting from a $1 movie kiosk is also attractive because of the low price of the rentals rainerland walking dead.

Cable and satellite television companies also provide an easy method for their customers to rent movies. Many premium television providers allow users to order films from their cable or satellite box remote controls. Movies are available for rental the same day they come out on video so users don’t have to feel that they have to wait longer than those who buy films from a store. Typically, customers who have movie-renting features also have the option to watch the film as many times as they want within a 24-hour period.

Having rental-movies delivered by mail is probably the oldest method of avoiding having to go to a rental store, and it is still an uncomplicated and convenient process. A lot of companies couple this feature with streaming programs. Often customers have access to a wider range of movies if they choose to sign up for a rental program that has both streaming and mail-order service. In order to encourage customers to use their mail-delivery service, some companies provide a limited amount of movies available through their streaming service while providing a much larger movie inventory through the direct-mail service. Many mail-order services allow customers to keep movies as long as they want within a 30-day period. Depending on the user’s account, customers can sometimes rent up to three movies at a time for one flat monthly rate.

Movie-rental, cable, and satellite television companies have made it simple to rent films. In recent years, many mobile phone service providers have also joined the movie-rental business. The variety of rental options available to consumers makes it easy for almost anyone to watch their favorite films on television and other electronic devices. Renting movies really is all about which method each person prefers.

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Understanding and accuracy of private soil

Anyone can apply for Food Stamps or SNAP (Supplemental Nutrition Assistance Program). Applying for Stamps is essential when you fall on hard times. If you have children and you qualify for these benefits, you will be able to ensure that they receive proper nutrition needed to grow healthy and strong.

Applying for Stamps is easy and will help feed you and your family if you are suffering from a financial hardship.

These are the 3 most preferred ways to apply for these Stamps:

Online:

Go to your states website and look up applying online for Food Stamps or SNAP. The page will have instructions on how to proceed. You will also be able to look up the government standard poerty guide lines which determines your eligibility depending on your income and what size family you have.

In person at your local welfare office:

Call your local welfare agency and ask if an appointment is necessary. Most of these agencies accept walk in s, but always call to make sure to avoid a wasted trip. Also, ask what you will need to bring with you for verification.

To apply by mail:

If you want to apply by mail, call your local Food Stamp office and have them mail you an application. 먹튀검증  To avoid delays in processing your application, ask them what types of verification they require you to send with the application.

It is quicker to go directly to your local Food Stamp office because you can speak to some one face to face. Especially  if you need emergency nutritional help. You will be assigned a case worker right away to walk you through the process of applying for the Stamps.

If you qualify for emergency Food Stamps, you will be given a percentage of your approved monthly Food Stamp benefit immediately or available the next day. If you do not qualify for emergency benefits, the process to determine eligibility can take any here from one week to 30 days.

Verification required usually consists of proof of address which can be provided by showing your case worker a utility bill or something that comes to your address in your name, A photo ID, proof of income, bank records, birth certificates for you and anyone else you are applying for in your household. You may need to provide more verification if you own your own home such as a mortgage statement, property tax bill etc.

Income limits vary from state to state and can usually be viewed on your states web site.

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These days Yahoo mail service is creating a lot of problems for the people

Electronic music history pre-dates the rock and roll era by decades. Most of us were not even on this planet when it began its often obscure, under-appreciated and misunderstood development. Today, this ‘other worldly’ body of sound which began close to a century ago, may no longer appear strange and unique as new generations have accepted much of it as mainstream, but it’s had a bumpy road and, in finding mass audience acceptance, a slow one.

Many musicians – the modern proponents of electronic music – developed a passion for analogue synthesizers in the late 1970’s and early 1980’s with signature songs like Gary Numan’s breakthrough, ‘Are Friends Electric?’. It was in this era that these devices became smaller, more accessible, more user friendly and more affordable for many of us. In this article I will attempt to trace this history in easily digestible chapters and offer examples of today’s best modern proponents.

To my mind, this was the beginning of a new epoch. To create electronic music, it was no longer necessary to have access to a roomful of technology in a studio or live. how to get rid of captcha on omegle
Hitherto, this was solely the domain of artists the likes of Kraftwerk, whose arsenal of electronic instruments and custom built gadgetry the rest of us could only have dreamed of, even if we could understand the logistics of their functioning. Having said this, at the time I was growing up in the 60’s & 70’s, I nevertheless had little knowledge of the complexity of work that had set a standard in previous decades to arrive at this point.

The history of electronic music owes much to Karlheinz Stockhausen (1928-2007). Stockhausen was a German Avante Garde composer and a pioneering figurehead in electronic music from the 1950’s onwards, influencing a movement that would eventually have a powerful impact upon names such as Kraftwerk, Tangerine Dream, Brain Eno, Cabaret Voltaire, Depeche Mode, not to mention the experimental work of the Beatles’ and others in the 1960’s. His face is seen on the cover of “Sgt. Pepper’s Lonely Hearts Club Band”, the Beatles’ 1967 master Opus. Let’s start, however, by traveling a little further back in time. how to get rid of captcha on omegle

The Turn of the 20th Century

Time stood still for this stargazer when I originally discovered that the first documented, exclusively electronic, concerts were not in the 1970’s or 1980’s but in the 1920’s!

The first purely electronic instrument, the Theremin, which is played without touch, was invented by Russian scientist and cellist, Lev Termen (1896-1993), circa 1919.

In 1924, the Theremin made its concert debut with the Leningrad Philharmonic. Interest generated by the theremin drew audiences to concerts staged across Europe and Britain. In 1930, the prestigious Carnegie Hall in New York, experienced a performance of classical music using nothing but a series of ten theremins. Watching a number of skilled musicians playing this eerie sounding instrument by waving their hands around its antennae must have been so exhilarating, surreal and alien for a pre-tech audience!

For those interested, check out the recordings of Theremin virtuoso Clara Rockmore (1911-1998). Lithuanian born Rockmore (Reisenberg) worked with its inventor in New York to perfect the instrument during its early years and became its most acclaimed, brilliant and recognized performer and representative throughout her life.

In retrospect Clara, was the first celebrated ‘star’ of genuine electronic music. You are unlikely to find more eerie, yet beautiful performances of classical music on the Theremin. She’s definitely a favorite of mine!

Electronic Music in Sci-Fi, Cinema and Television

Unfortunately, and due mainly to difficulty in skill mastering, the Theremin’s future as a musical instrument was short lived. Eventually, it found a niche in 1950’s Sci-Fi films. The 1951 cinema classic “The Day the Earth Stood Still”, with a soundtrack by influential American film music composer Bernard Hermann (known for Alfred Hitchcock’s “Psycho”, etc.), is rich with an ‘extraterrestrial’ score using two Theremins and other electronic devices melded with acoustic instrumentation.

Using the vacuum-tube oscillator technology of the Theremin, French cellist and radio telegraphist, Maurice Martenot (1898-1980), began developing the Ondes Martenot (in French, known as the Martenot Wave) in 1928.

Employing a standard and familiar keyboard which could be more easily mastered by a musician, Martenot’s instrument succeeded where the Theremin failed in being user-friendly. In fact, it became the first successful electronic instrument to be used by composers and orchestras of its period until the present day.

It is featured on the theme to the original 1960’s TV series “Star Trek”, and can be heard on contemporary recordings by the likes of Radiohead and Brian Ferry.

The expressive multi-timbral Ondes Martenot, although monophonic, is the closest instrument of its generation I have heard which approaches the sound of modern synthesis.

“Forbidden Planet”, released in 1956, was the first major commercial studio film to feature an exclusively electronic soundtrack… aside from introducing Robbie the Robot and the stunning Anne Francis! The ground-breaking score was produced by husband and wife team Louis and Bebe Barron who, in the late 1940’s, established the first privately owned recording studio in the USA recording electronic experimental artists such as the iconic John Cage (whose own Avante Garde work challenged the definition of music itself!).

The Barrons are generally credited for having widening the application of electronic music in cinema. A soldering iron in one hand, Louis built circuitry which he manipulated to create a plethora of bizarre, ‘unearthly’ effects and motifs for the movie. Once performed, these sounds could not be replicated as the circuit would purposely overload, smoke and burn out to produce the desired sound result.

Consequently, they were all recorded to tape and Bebe sifted through hours of reels edited what was deemed usable, then re-manipulated these with delay and reverberation and creatively dubbed the end product using multiple tape decks.

In addition to this laborious work method, I feel compelled to include that which is, arguably, the most enduring and influential electronic Television signature ever: the theme to the long running 1963 British Sci-Fi adventure series, “Dr. Who”. It was the first time a Television series featured a solely electronic theme. The theme to “Dr. Who” was created at the legendary BBC Radiophonic Workshop using tape loops and test oscillators to run through effects, record these to tape, then were re-manipulated and edited by another Electro pioneer, Delia Derbyshire, interpreting the composition of Ron Grainer.

As you can see, electronic music’s prevalent usage in vintage Sci-Fi was the principle source of the general public’s perception of this music as being ‘other worldly’ and ‘alien-bizarre sounding’. This remained the case till at least 1968 with the release of the hit album “Switched-On Bach” performed entirely on a Moog modular synthesizer by Walter Carlos (who, with a few surgical nips and tucks, subsequently became Wendy Carlos).

The 1970’s expanded electronic music’s profile with the break through of bands like Kraftwerk and Tangerine Dream, and especially the 1980’s when it found more mainstream acceptance.

The Mid 1900’s: Musique Concrete

In its development through the 1900’s, electronic music was not solely confined to electronic circuitry being manipulated to produce sound. Back in the 1940’s, a relatively new German invention – the reel-to-reel tape recorder developed in the 1930’s – became the subject of interest to a number of Avante Garde European composers, most notably the French radio broadcaster and composer Pierre Schaeffer (1910-1995) who developed a montage technique he called Musique Concrete.

Musique Concrete (meaning ‘real world’ existing sounds as opposed to artificial or acoustic ones produced by musical instruments) broadly involved the splicing together of recorded segments of tape containing ‘found’ sounds – natural, environmental, industrial and human – and manipulating these with effects such as delay, reverb, distortion, speeding up or slowing down of tape-speed (varispeed), reversing, etc.

Stockhausen actually held concerts utilizing his Musique Concrete works as backing tapes (by this stage electronic as well as ‘real world’ sounds were used on the recordings) on top of which live instruments would be performed by classical players responding to the mood and motifs they were hearing!

Musique Concrete had a wide impact not only on Avante Garde and effects libraries, but also on the contemporary music of the 1960’s and 1970’s. Important works to check are the Beatles’ use of this method in ground-breaking tracks like ‘Tomorrow Never Knows’, ‘Revolution No. 9’ and ‘Being for the Benefit of Mr. Kite’, as well as Pink Floyd albums “Umma Gumma”, “Dark Side of the Moon” and Frank Zappa’s “Lumpy Gravy”. All used tape cut-ups and home-made tape loops often fed live into the main mixdown.

Today this can be performed with simplicity using digital sampling, but yesterday’s heroes labored hours, days and even weeks to perhaps complete a four minute piece! For those of us who are contemporary musicians, understanding the history of electronic music helps in appreciating the quantum leap technology has taken in the recent period. But these early innovators, these pioneers – of which there are many more down the line – and the important figures they influenced that came before us, created the revolutionary groundwork that has become our electronic musical heritage today and for this I pay them homage!

1950’s: The First Computer and Synth Play Music

Moving forward a few years to 1957 and enter the first computer into the electronic mix. As you can imagine, it wasn’t exactly a portable laptop device but consumed a whole room and user friendly wasn’t even a concept. Nonetheless creative people kept pushing the boundaries. One of these was Max Mathews (1926 -) from Bell Telephone Laboratories, New Jersey, who developed Music 1, the original music program for computers upon which all subsequent digital synthesis has its roots based. Mathews, dubbed the ‘Father of Computer Music’, using a digital IBM Mainframe, was the first to synthesize music on a computer.

In the climax of Stanley Kubrik’s 1968 movie ‘2001: A Space Odyssey’, use is made of a 1961 Mathews’ electronic rendition of the late 1800’s song ‘Daisy Bell’. Here the musical accompaniment is performed by his programmed mainframe together with a computer-synthesized human ‘singing’ voice technique pioneered in the early 60’s. In the movie, as HAL the computer regresses, ‘he’ reverts to this song, an homage to ‘his’ own origins.

1957 also witnessed the first advanced synth, the RCA Mk II Sound Synthesizer (an improvement on the 1955 original). It also featured an electronic sequencer to program music performance playback. This massive RCA Synth was installed, and still remains, at the Columbia-Princeton Electronic Music Center, New York, where the legendary Robert Moog worked for a while. Universities and Tech laboratories were the main home for synth and computer music experimentation in that early era.

1960’s: The Dawning of The Age of Moog

The logistics and complexity of composing and even having access to what were, until then, musician unfriendly synthesizers, led to a demand for more portable playable instruments. One of the first to respond, and definitely the most successful, was Robert Moog (1934-2005). His playable synth employed the familiar piano style keyboard.

Moog’s bulky telephone-operators’ cable plug-in type of modular synth was not one to be transported and set up with any amount of ease or speed! But it received an enormous boost in popularity with the success of Walter Carlos, as previously mentioned, in 1968. His LP (Long Player) best seller record “Switched-On Bach” was unprecedented because it was the first time an album appeared of fully synthesized music, as opposed to experimental sound pieces.

The album was a complex classical music performance with various multi-tracks and overdubs necessary, as the synthesizer was only monophonic! Carlos also created the electronic score for “A Clockwork Orange”, Stanley Kubrik’s disturbing 1972 futuristic film.

From this point, the Moog synth is prevalent on a number of late 1960’s contemporary albums. In 1967 the Monkees’ “Pisces, Aquarius, Capricorn & Jones Ltd” became the first commercial pop album release to feature the modular Moog. In fact, singer/drummer Mickey Dolenz purchased one of the very first units sold.

It wasn’t until the early 1970’s, however, when the first Minimoog appeared that interest seriously developed amongst musicians. This portable little unit with a fat sound had a significant impact becoming part of live music kit for many touring musicians for years to come. Other companies such as Sequential Circuits, Roland and Korg began producing their own synths, giving birth to a music subculture.

I cannot close the chapter on the 1960’s, however, without reference to the Mellotron. This electronic-mechanical instrument is often viewed as the primitive precursor to the modern digital sampler.

Developed in early 1960’s Britain and based on the Chamberlin (a cumbersome US-designed instrument from the previous decade), the Mellotron keyboard triggered pre-recorded tapes, each key corresponding to the equivalent note and pitch of the pre-loaded acoustic instrument.

The Mellotron is legendary for its use on the Beatles’ 1966 song ‘Strawberry Fields Forever’. A flute tape-bank is used on the haunting introduction played by Paul McCartney.

The instrument’s popularity burgeoned and was used on many recordings of the era such as the immensely successful Moody Blues epic ‘Nights in White Satin’. The 1970’s saw it adopted more and more by progressive rock bands. Electronic pioneers Tangerine Dream featured it on their early albums.

With time and further advances in microchip technology though, this charming instrument became a relic of its period.

1970’s: The Birth of Vintage Electronic Bands

The early fluid albums of Tangerine Dream such as “Phaedra” from 1974 and Brian Eno’s work with his self-coined ‘ambient music’ and on David Bowie’s “Heroes” album, further drew interest in the synthesizer from both musicians and audience.

Kraftwerk, whose 1974 seminal album “Autobahn” achieved international commercial success, took the medium even further adding precision, pulsating electronic beats and rhythms and sublime synth melodies. Their minimalism suggested a cold, industrial and computerized-urban world. They often utilized vocoders and speech synthesis devices such as the gorgeously robotic ‘Speak and Spell’ voice emulator, the latter being a children’s learning aid!

While inspired by the experimental electronic works of Stockhausen, as artists, Kraftwerk were the first to successfully combine all the elements of electronically generated music and noise and produce an easily recognizable song format. The addition of vocals in many of their songs, both in their native German tongue and English, helped earn them universal acclaim becoming one of the most influential contemporary music pioneers and performers of the past half-century.

Kraftwerk’s 1978 gem ‘Das Modell’ hit the UK number one spot with a reissued English language version, ‘The Model’, in February 1982, making it one of the earliest Electro chart toppers!

Ironically, though, it took a movement that had no association with EM (Electronic Music) to facilitate its broader mainstream acceptance. The mid 1970’s punk movement, primarily in Britain, brought with it a unique new attitude: one that gave priority to self-expression rather than performance dexterity and formal training, as embodied by contemporary progressive rock musicians. The initial aggression of metallic punk transformed into a less abrasive form during the late 1970’s: New Wave. This, mixed with the comparative affordability of many small, easy to use synthesizers, led to the commercial synth explosion of the early 1980’s.

A new generation of young people began to explore the potential of these instruments and began to create soundscapes challenging the prevailing perspective of contemporary music. This didn’t arrive without battle scars though. The music industry establishment, especially in its media, often derided this new form of expression and presentation and was anxious to consign it to the dustbin of history.

1980’s: The First Golden Era of Electronic Music for the Masses

Gary Numan became arguably the first commercial synth megastar with the 1979 “Tubeway Army” hit ‘Are Friends Electric?’. The Sci-Fi element is not too far away once again. Some of the imagery is drawn from the Science Fiction classic, “Do Androids Dream of Electric Sheep?”. The 1982 hit film “Blade Runner” was also based on the same book.

Although ‘Are Friends Electric?’ featured conventional drum and bass backing, its dominant use of Polymoogs gives the song its very distinctive sound. The recording was the first synth-based release to achieve number one chart status in the UK during the post-punk years and helped usher in a new genre. No longer was electronic and/or synthesizer music consigned to the mainstream sidelines. Exciting!

Further developments in affordable electronic technology placed electronic squarely in the hands of young creators and began to transform professional studios.

Designed in Australia in 1978, the Fairlight Sampler CMI became the first commercially available polyphonic digital sampling instrument but its prohibitive cost saw it solely in use by the likes of Trevor Horn, Stevie Wonder and Peter Gabriel. By mid-decade, however, smaller, cheaper instruments entered the market such as the ubiquitous Akai and Emulator Samplers often used by musicians live to replicate their studio-recorded sounds. The Sampler revolutionized the production of music from this point on.

In most major markets, with the qualified exception of the US, the early 1980’s was commercially drawn to electro-influenced artists. This was an exciting era for many of us, myself included. I know I wasn’t alone in closeting the distorted guitar and amps and immersing myself into a new universe of musical expression – a sound world of the abstract and non traditional.

At home, Australian synth based bands Real Life (‘Send Me An Angel’, “Heartland” album), Icehouse (‘Hey Little Girl’) and Pseudo Echo (‘Funky Town’) began to chart internationally, and more experimental electronic outfits like Severed Heads and SPK also developed cult followings overseas.

But by mid-decade the first global electronic wave lost its momentum amidst resistance fomented by an unrelenting old school music media. Most of the artists that began the decade as predominantly electro-based either disintegrated or heavily hybrid their sound with traditional rock instrumentation.

The USA, the largest world market in every sense, remained in the conservative music wings for much of the 1980’s. Although synth-based records did hit the American charts, the first being Human League’s 1982 US chart topper ‘Don’t You Want Me Baby?’, on the whole it was to be a few more years before the American mainstream embraced electronic music, at which point it consolidated itself as a dominant genre for musicians and audiences alike, worldwide.

1988 was somewhat of a watershed year for electronic music in the US. Often maligned in the press in their early years, it was Depeche Mode that unintentionally – and mostly unaware – spearheaded this new assault. From cult status in America for much of the decade, their new high-play rotation on what was now termed Modern Rock radio resulted in mega stadium performances. An Electro act playing sold out arenas was not common fare in the USA at that time!

In 1990, fan pandemonium in New York to greet the members at a central record shop made TV news, and their “Violator” album outselling Madonna and Prince in the same year made them a US household name. Electronic music was here to stay, without a doubt!

1990’s Onward: The Second Golden Era of Electronic Music for the Masses

Before our ‘star music’ secured its hold on the US mainstream, and while it was losing commercial ground elsewhere throughout much of the mid 1980’s, Detroit and Chicago became unassuming laboratories for an explosion of Electronic Music which would see out much of the 1990’s and onwards. Enter Techno and House.

Detroit in the 1980’s, a post-Fordism US industrial wasteland, produced the harder European influenced Techno. In the early to mid 80’s, Detroiter Juan Atkins, an obsessive Kraftwerk fan, together with Derrick May and Kevin Saunderson – using primitive, often borrowed equipment – formed the backbone of what would become, together with House, the predominant music club-culture throughout the world. Heavily referenced artists that informed early Techno development were European pioneers such as the aforementioned Kraftwerk, as well as Yello and British Electro acts the likes of Depeche Mode, Human League, Heaven 17, New Order and Cabaret Voltaire.

Chicago, a four-hour drive away, simultaneously saw the development of House. The name is generally considered to be derived from “The Warehouse” where various DJ-Producers featured this new music amalgam. House has its roots in 1970’s disco and, unlike Techno, usually has some form of vocal. I think Giorgio Moroder’s work in the mid 70’s with Donna Summer, especially the song ‘I Feel Love’, is pivotal in appreciating the 70’s disco influences upon burgeoning Chicago House.

A myriad of variants and sub genres have developed since – crossing the Atlantic, reworked and back again – but in many ways the popular success of these two core forms revitalized the entire Electronic landscape and its associated social culture. Techno and House helped to profoundly challenge mainstream and Alternative Rock as the preferred listening choice for a new generation: a generation who has grown up with electronic music and accepts it as a given. For them, it is music that has always been.

The history of electronic music continues to be written as technology advances and people’s expectations of where music can go continues to push it forward, increasing its vocabulary and lexicon.

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Get SEO on the first page of Google SEONo1.co.th

Professional SEO services can lift your site above your competitors. According to SEO experts, they help business owners deliver their sites to top rank search engines. They ensure that the site has a unique setting that attracts Internet users. Search engine optimization experts apply the newest analytics service, which has a positive impact on a website. SEO companies are facing great competition in the SEO field. However, they introduce guaranteed SEO services to cope with the competition.

These SEO companies have a strategy requiring clients to pay the major search engines (including Google and Yahoo) for monthly website maintenance. However, the company has guaranteed SEO services, where clients do not pay maintenance for that month.

Google has remained top, since they have accurate methods and algorithms that deliver credible results to the searchers. However, Google has made it difficult for web developers to use optimization tricks in manipulating search engines. This is why SEO companies have the guaranteed SEO money refund.

SEO companies ensure that guaranteed SEO services include the Google’s webmaster guidelines. Webmaster guidelines boost website rank and search activity. The services clients get from SEO experts are like marathons. However, clients should be aware that SEO tricks can have a great impact on a website and damage it-which is why they have to use the legitimate SEO strategies in order to receive impressive results.

Although one may read a lot about the search engine ranking, no search engine optimization company can ensure that his or her site will get the first page in Google or Yahoo search engine results. Despite this, SEO companies have guaranteed SEO services and it is great when one signs with Google. The fact remains that SEO services assure clients that even if the site will not rank among the top search engines, the money will not be a waste because of the refund.

Many webmasters are confused when hiring a search engine optimization SEO expert. รับทำ seo Although SEO experts are believed to save time and improve webmaster sites through SEO strategies, they can also frustrate webmasters. Thus, webmasters must investigate the pros and cons of SEO services. The major tasks of the SEO experts are:

  • Ensure that the site is well reviewed in the content or structure
  • Provide Search engine optimization SEO advice on website development like use of JavaScript and web hosting
  • Develop website content using SEO services
  • Provide online business improvement campaigns
  • Target keyword research
  • Offer SEO training

However, the webmasters can grasp search engine optimization SEO through websites. They will understand the benefits of hiring an SEO expert and what to expect from one.

It is clear that when webmasters hire a search engine optimization SEO expert, they stand a better chance of maximizing their SEO services. When they want to start a new site it is good to look for web developers who have web design talent. The web developer will ensure that a webmaster’s site reaches the top search engine ranking like Google or Yahoo. The web developer also assists in improving an existing site.

However, webmasters have to ask several questions about search engine optimization SEO including:

  1. Do they have previous examples and testimonies from past clients?
  2. Do they follow the guidelines from the Google webmaster?
  3. Do they implement the SEO Internet marketing services to improve online business?
  4. Do they have experience in the webmaster’s industry?
  5. Do they have knowledge of the webmaster’s country/city?
  6. Do they have experience in developing sites for international companies?
  7. What are the best SEO techniques to implement on the webmaster’s site?
  8. How long has the SEO expert been in web design?
  9. Does the SEO expert have good communication skills when making changes on the client’s site?

Although the SEO experts provide great SEO services to their clients, there are a few who ruin the web design industry through their greed in marketing efforts and manipulate search engine rank. If search engine optimization SEO does not involve ethical practices, the site may have low visibility on Google or even be removed from the Google index.

SEO and social media marketing ensure that one’s site has the best SEO Internet marketing, which means that their company can remain competitive in the online market. All the individual has to do is transition in their online business.

SEO Internet marketing has major components, which develop the website traffic, and top search engine rankings. However, webmasters should be aware that these components are not easy to get. They must apply formulas and SEO strategies to produce effective results. There are many websites providing pertinent information about SEO and online marketing, and you can learn from them.

If one’s business does not have SEO Internet marketing strategies, he or she will need help from SEO experts. They will have to find SEO expert websites, who will help the business owner’s site have many customers in online marketing. The obligation of SEO experts is to create exposure to businesses. They focus on SEO Internet marketing goals and provide top search engine rank like Google and Yahoo. However, to accomplish all this, web developers use SEO custom services, which have long-lasting SEO Google rank.

SEO companies ensure that your site has all the SEO Internet marketing such as business improvement, localized product sales, high quality online generation and the rest. Webmasters are guaranteed to remain competitive in the online business if they stick with SEO experts. They will have all they need to ensure business success.

Business owners who do have a business website lose massive amounts of money from online marketing. They should know that SEO Internet marketing mandates a business website, since it is a necessary online marketing tool. A website or blog is same as news ads, letterheads, or the yellow pages. However, the website must be user-friendly and just as advertisement is important, the SEO website is the same.

It is true that 44% of small businesses do not have a website or blog. They are unable to reach 73% of Internet users each day. If your company has a website, customers can research the latest products the business owner’s company offers. SEO Internet marketing can help any company through their site to sell products. All businesses should have their own website, including companies using websites provided by insurance.

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The Explosion Of Online Casino Gambling Swept The World.

เกมคาสิโนออนไลน์เป็นสิ่งประดิษฐ์ที่ยอดเยี่ยมที่พลิกโฉมวงการพนันอย่างสิ้นเชิง ช่วยให้ผู้คนสามารถเล่นการพนันได้โดยใช้เวลาเงินและความไม่สะดวกน้อยลงกว่า แต่ก่อน การเปรียบเทียบคาสิโนออนไลน์กับคาสิโนที่ดินก็เหมือนกับการเปรียบเทียบแอปเปิ้ลและส้มแต่ละอันจะดึงดูดความสนใจในแง่มุมที่แตกต่างกันของเกมของผู้เล่น ลองมาดูข้อดีและข้อเสียของเกมคาสิโนออนไลน์เมื่อเทียบกับคาสิโนบนบก

สภาพแวดล้อม: มีความสนุกสนานและความตื่นเต้นในการเล่นเกมคาสิโนที่คาสิโนจริง แต่เมื่อพูดถึงสิ่งที่สำคัญต่อคาสิโน – การพนันบรรยากาศของคาสิโนกำลังพยายามละลายและเบี่ยงเบนความสนใจของคุณ … จากเงินของคุณ ในคาสิโนบนบกคุณไม่เพียงแข่งขันกับเจ้ามือและผู้เล่นคนอื่น ๆ เท่านั้น แต่ยังรวมถึงฝูงชนของคาสิโนที่เฝ้าดูทุกการเคลื่อนไหว ข้อเสียอีกประการหนึ่งเริ่มต้นด้วยการเดินทางไปที่คาสิโน คุณอาจต้องขับรถเป็นเวลาหลายชั่วโมงหรือบินเพื่อไปที่นั่นทั้งนี้ขึ้นอยู่กับว่าคุณอาศัยอยู่ที่ใดในทางกลับกันเมื่อคุณเลือกคาสิโนออนไลน์คุณจะยังคงสามารถควบคุมได้ คาสิโนออนไลน์ไม่สามารถเอาชนะคุณได้ในบ้านของคุณเอง คุณไม่ต้องเดินทาง คุณไม่จำเป็นต้องแต่งตัว มีบางสิ่งที่น่าตื่นเต้นและน่าตื่นเต้นเกี่ยวกับการรู้ว่าเกมคาสิโนใด ๆ ที่คุณอาจต้องการเล่นนั้นมีอยู่เพียงปลายนิ้วสัมผัส
คาสิโน

เงิน!! ในคาสิโนที่ดินคุณซื้อชิปด้วยเงินจริง ในคาสิโนออนไลน์คุณจะสร้างบัญชีคาสิโนและโอนเงินเข้าไป ความแตกต่างพื้นฐานอย่างไรก็ตามในคาสิโนออนไลน์คุณรู้ว่าคุณมีเงินเท่าไหร่ตลอดเวลา ชิปนี้ใช้สำหรับการเดิมพันเท่านั้นและทั้งหมดนี้ไม่ได้ทำให้งงงวยเหมือนในคาสิโนบนบก
สิ่งที่สำคัญที่สุดคือคาสิโนออนไลน์จะให้คุณเล่นฟรีในคาสิโนบนบกคุณไม่สามารถเข้าเล่นเกมฝึกหัดก่อนที่คุณจะเริ่มเดิมพันด้วยเงินจริง แต่ที่คาสิโนออนไลน์ ไม่มีปัญหา! เล่นเกมฟรีได้มากเท่าที่คุณต้องการ ลองเกมใหม่ที่คุณไม่แน่ใจ ฝึกฝนกลยุทธ์เกมของคุณ เล่นจนกว่าคุณจะรู้สึกสบายใจกับเกมและมั่นใจว่าคุณเข้าใจกฎทั้งหมดและปลอดภัยกับกลยุทธ์ของคุณ ในคาสิโนออนไลน์คุณสามารถเล่นเกมทั้งหมดได้ฟรีนานเท่าที่คุณต้องการ จากนั้นคุณสามารถเล่นการพนันด้วยเงินจริงก็ต่อเมื่อคุณตัดสินใจว่าต้องการ

เกมต่างกันจริงหรือ? ตัวอย่างเช่นในรูเล็ตมีความแตกต่างในประสบการณ์การคลิกปุ่มหมุนในเกมรูเล็ตออนไลน์และประสบการณ์ในการดูเจ้ามือการพนันหมุนลูกรูเล็ตจริงรอบวงล้อรูเล็ตจริง แต่ข้างที่แตกต่างกันเกมก็เหมือนกัน เมื่อคุณเล่นรูเล็ตออนไลน์คุณเล่นกับ Random Number Generator ที่ตั้งโปรแกรมไว้เพื่อให้ในระยะยาวหมายเลขรูเล็ตแต่ละหมายเลขจะตี 1 จาก 38 ครั้งเช่นเดียวกับบนวงล้อรูเล็ตจริง ดังนั้นความแตกต่างระหว่างพวกเขาจึงเป็นเรื่องของความชอบและรสนิยมมากกว่าความแตกต่างที่สำคัญในการเล่นเกม

ในเครื่องสล็อตความคล้ายคลึงกันนั้นโดดเด่นยิ่งขึ้น ในคาสิโนบนบกสล็อตไม่ใช่ “โจรติดอาวุธ” อีกต่อไป สล็อตแมชชีนคอมพิวเตอร์ที่คุณจะเล่นในคาสิโนบนบกนั้นเหมือนกับเครื่องสล็อตคอมพิวเตอร์ที่คุณเล่นในคาสิโนออนไลน์ ข้อแตกต่างเพียงอย่างเดียวก็คือเมื่อคุณเล่นสล็อตออนไลน์คุณกำลังเล่นจากความสะดวกสบายในบ้านของคุณเองและคุณสามารถลุกขึ้นและหยุดพักได้โดยไม่เสียสถานที่ของคุณที่เครื่องสล็อตที่คุณชื่นชอบ

ความปลอดภัยและความเป็นส่วนตัว: ไม่มีการแต่งกายในคาสิโนออนไลน์คาสิโนออนไลน์จะไม่พยายามถ่ายทำหรือถ่ายภาพคุณ คุณสามารถเล่นเกมในคาสิโนออนไลน์ได้ในขณะที่สวมกางเกงบ็อกเซอร์และรองเท้าแตะ และคุณสามารถทำได้ด้วยเบียร์ในมือบุหรี่หรืออะไรก็ได้ที่คุณต้องการ เล่นได้มากเท่าที่คุณต้องการและชนะมากเท่าที่คุณต้องการ ไม่มีใครจะเตะคุณออกคุณสามารถมีความไว้วางใจอย่างเต็มที่กับคาสิโนออนไลน์

ไม่มีใครมีทางเลือกที่จะโกงคุณด้วยเกม คาสิโนออนไลน์มีเทคโนโลยีการเข้ารหัสที่ทันสมัยล่าสุดเพื่อปกป้องความเป็นส่วนตัวของผู้เล่น ด้วยเทคนิคที่กำลังจะเกิดขึ้นและซอฟต์แวร์พิสูจน์ความปลอดภัยคุณสามารถไว้วางใจคาสิโนออนไลน์ได้อย่างเต็มที่ เมื่อเข้าคาสิโนออนไลน์คุณควรอ่านคำชี้แจงสิทธิ์ส่วนบุคคลของพวกเขา! เทคโนโลยีความปลอดภัยที่คาสิโนออนไลน์ใช้ออกแบบมาเพื่อปกป้องผู้เล่นเพราะเขาเป็นทรัพย์สินที่มีค่าที่สุดของคาสิโนออนไลน์

การแข่งขัน! การเล่นคาสิโนที่ดินมีราคาแพงกว่าคาสิโนออนไลน์มาก นั่นหมายความว่ามีคาสิโนออนไลน์มากขึ้นและคาสิโนออนไลน์มากขึ้นหมายถึงการแข่งขันระหว่างบ้านคาสิโนทางอินเทอร์เน็ต การแข่งขันนี้หมายถึงการบริการที่ดีขึ้นและสนุกยิ่งขึ้นสำหรับคุณ ทางเลือกหมายความว่าคุณสามารถยึดติดกับสิ่งที่คุณชอบค้นหาคาสิโนออนไลน์ที่เสนอสิ่งที่ดีที่สุดที่เหมาะกับคุณ – ผู้เล่น – และหากคุณไม่ชอบประสบการณ์เพียงแค่ทิ้งมันแล้วลองคาสิโนออนไลน์อื่น

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Watch Free Movies Online? Think Again

One of the most searched terms is “watch free movies online”. This indicates that many people are searching for a way to watch their favorite movies without having to pay for expensive monthly cable subscriptions.

Although it is understandable, given the ridiculously expensive cable and satellite fees, it can not be justified in the light of the indirect costs that come with it.

There are websites on the Internet that offer the opportunity to watch movies online for free. The truth is that there is a huge cost that comes with using those sites.

For one, it is illegal. And those sites are violating the law by publishing those movies on their sites. And if you pay close attention those copies are pirated. It is more clear in case of newly released movies. You will find that the copy they are displaying is taped by a camera in a movie theatre!

By using those sites you are supporting an illegal activity.

They don’t make money หนัง straight from you as a user, but they place ads from shady ads networks who allow any kind of ads.

Some are also running scams on their sites.

For instance, one of the sites was allowing a few loads before a script on the site takes control of your screen and gives you a message that your computer has been identified for illegal display and distribution of copyrighted material and that the police is on the way to arrest you and seize the computer, which is now frozen on the act you were doing (the illegal one they mentioned earlier).

After you try to get out of the site or do anything just to find out that your computer is not responding you start to believe them. The next message will ask you to pay the fine, usually hundreds of dollars, if you want to gain control back on your computer.

The software gives you the opportunity to pay online and of course some people respond and pay them.And when they mention it to their friends they discover that they have been scammed.

Some of the sites that offer you to watch free movies online use a script to collect your sensitive information, including any credit card you have used on that computer to pay your bills, and unless your credit card companies get your back on the fraudulent transactions you will find yourself in deep troubles.

The other way those sites might get you in trouble is by really finding yourself facing legal charges.

The famous example that took the Internet by storm a few years ago was when a woman illegally downloaded 24 copyrighted songs. Her sentence was $4 millions in fines!

That kind of sentence could financially break any middle class family.